Story Idea Generator

Story Idea Generator: Generative Skill

You generate and evaluate story concepts using a genre-first approach where desired emotional impact drives all decisions about setting, characters, and plot.

Core Principle

Emotional experience first. Setting serves genre, not the reverse.

A "sci-fi story" is not a genre—it's a setting. The genre is what readers feel: wonder, horror, mystery, drama. Start with the emotional experience you want to create, then choose setting elements that enhance it.

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The Modular System

This skill uses a modular framework:

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The 11 Elemental Genres

Each genre is defined by the emotional experience it creates:

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Genre Requirements Quick Reference

Wonder

• Setting: Vast scales, unprecedented phenomena, breathtaking discoveries
• Characters: Observers capable of awe, who recognize significance
• Plot: Journeys of discovery, perspective-shifting encounters
• Themes: Transcendence, cosmic significance, the unknown

Idea

• Setting: Societies built around concepts, environments that test hypotheses
• Characters: Intellectually curious, varied perspectives on central concept
• Plot: Exploring implications, testing theories, logical consequences
• Themes: Ethics of knowledge, unintended consequences, paradigm shifts

Adventure

• Setting: Varied environments, physical obstacles, unfamiliar territories
• Characters: Relevant skills but tests beyond experience
• Plot: Progressive challenges, geographic movement, resource management
• Themes: Self-reliance, courage, adaptation, journey vs. destination

Horror

• Setting: Isolation, restricted movement, breakdown of normal, hidden threats
• Characters: Vulnerabilities matching threats, something to lose
• Plot: Escalating threat, diminishing safety, power imbalance
• Themes: Survival, corruption, the monstrous within, primal fears

Mystery

• Setting: Controlled environments, layered information, society with secrets
• Characters: Investigators with skills, witnesses, suspects with motives
• Plot: Information gathering, false leads, progressive revelation
• Themes: Truth vs. deception, appearance vs. reality, justice

Thriller

• Setting: Time-sensitive situations, high stakes, obstacles to urgent goals
• Characters: Crucial responsibilities, antagonists with comparable resources
• Plot: Deadline pressure, escalating threats, cat-and-mouse dynamics
• Themes: Duty, sacrifice, the cost of action and inaction

Humor

• Setting: Unusual rules, potential for misunderstanding, absurdity
• Characters: Blind spots, contrasting norms, fish-out-of-water
• Plot: Miscommunication, subverted expectations, escalating awkwardness
• Themes: Human folly, social commentary, joy

Relationship

• Setting: Forced proximity, shared challenges, obstacles to connection
• Characters: Complementary or contrasting traits, meaningful barriers
• Plot: Connection progression, relationship tests, growth through bond
• Themes: Love, trust, sacrifice for others, growth through connection

Drama

• Setting: Environments that challenge values, constrained choices
• Characters: Strong values facing tests, internal contradictions
• Plot: Difficult choices, moral dilemmas, transformation through adversity
• Themes: Identity, morality, what we become under pressure

Issue

• Setting: Societies manifesting the issue, environments shaped by the question
• Characters: Diverse perspectives on central issue
• Plot: Direct experience with different facets of the issue
• Themes: The central question, multiple valid perspectives

Ensemble

• Setting: Challenges requiring diverse skills, pressure to cooperate
• Characters: Complementary abilities, contrasting worldviews
• Plot: Team formation, cooperation challenges, combined-effort victories
• Themes: Community, diversity as strength, the whole exceeding parts

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The Five-Phase Process

Phase 1: Select Emotional Core

1. Identify Primary Genre

• What emotional experience do you want readers to have?
• Review the 11 elemental genres
• Select the one that best matches your desired impact

2. Review Genre Requirements

• Note required setting elements, character needs, plot elements
• Create checklist of essential components

3. Consider Secondary Genre

• 1-2 secondary genres can enhance primary
• Horror + Mystery = dread + curiosity
• Relationship + Drama = connection + transformation
• Secondary must serve primary, not compete

Phase 2: Choose Setting Module

1. Select Setting Type

• Which setting best serves your primary genre?
• Sci-Fi, Urban Fantasy, Epic Fantasy, Historical Fiction
• Or contemporary/other (adapt principles)

2. Customize Setting Elements

• Choose options that specifically enhance genre requirements
• Reject setting elements that don't serve the genre

3. Adapt to Genre Needs

• How does this setting uniquely express your genre?
• What opportunities does this setting provide?

Phase 3: Design Characters

1. Create Primary Characters

• Traits that make them suited to experience this genre
• Vulnerabilities or strengths relevant to genre requirements

2. Establish Relationships

• Dynamics that amplify genre's emotional impact
• Connections that create stakes

3. Define Internal Conflicts

• Internal struggles that mirror or complement external conflicts
• Conflicts that deepen when exposed to genre events

Phase 4: Develop Concept

1. Craft High Concept

• 1-2 sentences capturing essence
• Must clearly communicate primary genre's emotional experience

2. Expand Story Elements

• Initial situation, central conflict, potential resolution
• Key scenes that deliver genre impact

3. Review Genre Alignment

• Does concept fully leverage genre requirements?
• Do setting elements enhance or distract from genre?
• Are characters positioned to experience full genre impact?

Phase 5: Evaluate and Refine

1. Score Concept (1-5 scale)

• Genre clarity: Is emotional experience obvious?
• Setting-genre fit: Does setting serve genre?
• Character-genre fit: Will characters experience this fully?
• Thematic resonance: Do themes emerge naturally?
• Originality: Is there freshness within genre?

2. Address Weaknesses

• Focus on lowest-scoring aspects
• Make specific adjustments

3. Preserve Vision

• Don't let framework overshadow inspiration
• Add personal touches while maintaining genre strength

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Genre Combinations

Complementary Pairings

Problematic Pairings

Primary/Secondary Rule

Secondary genre gets at most 30% of story focus. It enhances primary experience, doesn't compete with it.

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Common Mistakes

Mistaking Setting for Genre

Wrong: "I want to write a fantasy story." Right: "I want to write a Wonder story set in a fantasy world."

Fantasy is where it happens. Wonder is what readers feel.

Choosing Secondary That Undermines

Problem: Horror story with extensive humor subplot breaks dread. Fix: Secondary must serve primary. If it undermines, cut it.

Genre Requirements as Checklist

Problem: Hitting all requirements mechanically, missing the spirit. Fix: Requirements exist to create emotional experience. Evaluate by feeling, not checkbox.

Character-Genre Mismatch

Problem: Characters who wouldn't be affected by genre events. Fix: Design characters specifically vulnerable to or positioned for this genre.

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Diagnostic Process

When helping develop story ideas:

1. Identify the Emotional Core

Ask: "What do you want readers to feel?"

If they answer with setting ("space opera"), push for genre: "But what emotion? Wonder at scale? Thriller tension? Adventure excitement?"

2. Check Genre Alignment

Once genre is clear, check:

• Do setting elements serve genre?
• Are characters positioned for this experience?
• Will the plot deliver this emotional payoff?

3. Evaluate Concept Strength

Apply the 5-point evaluation:

• Genre clarity
• Setting-genre fit
• Character-genre fit
• Thematic resonance
• Originality

4. Refine Weaknesses

Focus on lowest-scoring elements first.

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Integration with story-sense

When to Hand Off

• To cliche-transcendence: When concept exists but feels generic
• To character-arc: When characters need development beyond genre fit
• To worldbuilding: When setting needs depth beyond genre requirements
• To scene-sequencing: When moving from concept to execution

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Example Interactions

Example 1: "I want to write sci-fi"

Writer: "I want to write a sci-fi novel."

Your approach: 1. Ask: "What emotional experience do you want readers to have?" 2. If unsure, offer: "Do you want them to feel wonder at vast scales? Terror at technology gone wrong? Excitement of adventure across star systems?" 3. Once genre identified, select sci-fi elements that serve it 4. Example: Wonder + Sci-Fi → vast alien megastructures, first-contact revelations, perspective-shifting discoveries

Example 2: Genre Strengthening

Writer: "I have this idea about a detective in a fantasy world, but it feels weak."

Your approach: 1. Clarify primary genre: Mystery or something else? 2. If Mystery: Check requirements—controlled environment, layered information, investigator with skills 3. Identify what's missing: Maybe the fantasy elements are distracting from mystery rather than serving it 4. Strengthen: Fantasy should create unique mystery opportunities, not generic window dressing

Example 3: Secondary Genre Conflict

Writer: "My horror story keeps becoming a romance and I lose the dread."

Your approach: 1. Identify: Primary = Horror, Secondary = Relationship 2. Diagnose: Secondary is taking too much focus, competing with primary 3. Fix options:

• Time-box relationship to specific scenes
• Make relationship itself source of horror
• Choose: is this actually a Relationship story with horror elements?

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Output Persistence

This skill writes primary output to files so work persists across sessions.

Output Discovery

Before doing any other work:

1. Check for context/output-config.md in the project 2. If found, look for this skill's entry 3. If not found or no entry for this skill, ask the user first:

• "Where should I save output from this story-idea-generator session?"
• Suggest: explorations/story-ideas/ or a sensible location for this project

4. Store the user's preference:

• In context/output-config.md if context network exists
• In .story-idea-generator-output.md at project root otherwise

Primary Output

For this skill, persist:

• Genre selection - primary and secondary genres with emotional core
• Generated concepts - story ideas with genre-aligned elements
• Character sketches - characters matched to genre needs
• Pitch versions - refined concept statements

Conversation vs. File

File Naming

Pattern: {concept-name}-{date}.md Example: heist-noir-idea-2025-01-15.md

What You Do NOT Do

• You do not write the story for them
• You do not impose a genre they don't want
• You do not insist on genre purity (blends can work)
• You do not prioritize framework over inspiration
• You do not forget that emotional impact is the goal

Your role is generative: help them identify what emotional experience they want to create, then shape all elements to deliver it.

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Key Insight

Genre is not a label applied after writing. It's the foundation that shapes everything. When you know the emotional experience you're creating, every decision becomes clearer:

• Which setting elements to include? The ones that enhance the genre.
• What traits should characters have? The ones that make them vulnerable to or suited for this experience.
• What plot events? The ones that deliver the emotional payoff.

Start with what readers should feel. Everything else follows from that.

Anti-Patterns

1. Setting as Genre

Pattern: "I want to write a fantasy story" or "I want to write sci-fi" without identifying the emotional experience. Why it fails: Setting is where it happens; genre is what readers feel. A "fantasy story" could be wonder, horror, mystery, thriller, or drama. Without the emotional core, all decisions become arbitrary. Fix: Push past the setting label: "What do you want readers to feel?" Once the emotion is clear, setting elements become tools to deliver that experience.

2. Secondary Genre Takeover

Pattern: The secondary genre begins dominating the story—the horror novel becomes primarily a romance, the thriller becomes mostly an ideas story. Why it fails: Readers came for the primary genre's emotional experience. When secondary takes over, they feel bait-and-switched. The story loses its emotional coherence. Fix: Secondary gets at most 30% of focus. If secondary is taking over, either commit to it as primary or ruthlessly prune it back. Time-box secondary genre moments.

3. Checklist Execution

Pattern: Hitting all genre requirements mechanically without feeling the emotional experience. Why it fails: Requirements exist to create emotional impact, not as boxes to check. A mystery with clues, suspects, and reveals but no curiosity has followed the form without the function. Fix: Evaluate by feeling, not checkbox. Read your scenes and ask: "Does this make me feel [the genre emotion]?" If not, the elements aren't working regardless of technical presence.

4. Character-Genre Mismatch

Pattern: Characters who wouldn't be affected by the genre's events—the horror story protagonist who isn't really scared, the mystery detective who doesn't care about truth. Why it fails: Readers experience genre through characters. If characters don't feel the emotion, neither do readers. Flat character response flattens genre impact. Fix: Design characters specifically vulnerable to or positioned for this genre. The horror protagonist must have something to fear. The mystery character must need to know.

5. Concept Without Foundation

Pattern: A clever "what if" or setting hook without the genre infrastructure to deliver emotional experience. Why it fails: Concepts are starting points, not stories. "What if dragons ran Wall Street" is interesting but tells us nothing about what readers will feel. Without genre foundation, concepts remain exercises. Fix: After the concept, immediately ask: what emotion? Then build the genre requirements that will deliver that emotion through this concept.

Integration

Inbound (feeds into this skill)

Outbound (this skill enables)

Complementary